ready for NYE: isa and kyra

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a couple months ago, i dressed up two of my favorite girls as if they were about to hit the town. these particular frocks don’t get enough action, because my actual life is so much more sedate than the fantasy.

Isa looks badass in the low-backed blue velvet dress with python boots — basically ready for New Year’s Eve 2014. this Elizabeth & James dress was featured in a post two summers ago, co-starring with a cello.

kyra looks equally party-proper in a draped LBD from Wayne. the platform heels actually belong to Isa, but these girls have equally tiny feet!

the only sad part of these outfits is that chicago is way too cold to be wandering around bare-legged. i won’t dare expose any skin ’til april.

looking really cute you guys — can’t wait to ring in the new year!

when does Game of Thrones return?

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answer: in about 96 days

emotional answer: not soon enough!

while closing up shop tonight, one of my favorite coworkers asked me when our rather geeky guilty pleasure comes back on air. i answered “some time in march?” and went on to detail the horrible events of the Red Wedding (which of course, he had already seen) and the disappointment of the season finale (platinum-blonde Khaleesi supported on the shoulders of a thousand brown people that she had quasi-pseudo “liberated”).

having not read the books (besides the first, which convinced me that the HBO show is in fact a better production than the books) i do not know what to expect from Season 4, and i’m very curious to see how the show will move on without Catelyn and Robb Stark, and with the other principals wandering ever farther apart. To think that Jon was so close to Bran, just outside the mill, without there being a reconciliation!

the outfit of this post is a medieval costume that got a lot of use while i was interested in SCA (Society for Creative Anachronism) reenactments. it’s a dense cotton velvet in alternating panes of burgundy and midnight, with braided gold trim. it is lined, but does not have a label, which leads me to believe that it was a much-beloved home-sewn costume.

i could not find my old torque, so i accessorized with a vintage brass and pearl medallion. the closest thing i had to appropriate shoes were Marc Jacobs driving mocs, which suggest something of a Saracen influence — i’m alluding to the European presence in the Arab world during the various Crusades. (a lot was improved in european culture based on what they learned about during the crusades, e.g. cotton, paper, chess, coffee, and lemons, spices, medicine, and math.)

the other accessories are my sword, which is a Spanish steel Excalibur replica, and my hooded velvet cape. my grandma Helen made the cape for me when i was 12. i was wild to have one, and i still love capes — the longer the better. (she had been a seamstress for the Russian Army during the second world war.) the fur shoulder piece is a vintage, rabbit, and removable. braids, because that is the one thing that every female character of GoT has in common.

Shua’s illustration is great because if you imagine the background is forest green, stone gray, or frigid white, it could easily be a character sketch for the show.

vintage pink

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d+B purse

as seen in my Pitchfork Day 1 post from earlier this year, here again is my vintage Dooney & Bourke purse. i’ve never been into their logo-tastic phase, but this vintage edition is so charming, especially in soft baby pink leather. the adjustable belt handles and the goldtone fob are a great touch. (my friend Rita also has a vintage Dooney&Bourke bag that is just to die for. it has the hugest tooled medallion i have ever seen.)

Shua and i agreed that this very special handbag deserved a post of its own, so here we are. one of the great things about it was finding it randomly at the Village Discount on Roscoe, before brunch at Victory’s Banner. i don’t usually find anything so covetable there, at least not lately, what with all the Buffalo Exchanges and Crossroads and Etsy and various online resale sites.

honestly, though, i need to find a better home for it, because i never carry this extra-adorable purse. it’s just too girly for me, but it is so well made it’s impossible to give away. (that’s just me being selfish.)

hothouse flower

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hiiii lovies! i’ve got Isa back on the blog. she’s wearing something that doesn’t really jibe with the current weather (which conspires to keep us all home and in bed) but it would be perfectly fresh and festive for a new years eve party. (although, Isa, if you’re reading this, please weigh in! what ARE you planning to wear for NYE parties this year?)

even though these aren’t colors i typically wear, i find this outfit absolutely enchanting and charming, and very in line with Isa’s  buoyant personality. i think the blouse is Prabal Gurung X Target, and i love the sheer black panels. the simple cut lets the florals shine, but the garment isn’t overdesigned. the knife-pleated magenta skirt is a vibrant contrast with the limes and emeralds in the blouse. her sandals black and white, have a really cool angular design, with a turned heel and am ankle strap. the black and white acts as a tonic against the tropical palette.

there’s also some great accessories going on, in terms of lilac glasses and a shocking pink rubber watch. Isa’s high-piled hair reveals her purple cluster earrings. overall, the look is balanced — no need for a belt or cocktail rings.

in terms of the illustrations, Shua’s aims for a calm, quiet elegance. we included a photo with slightly more detail so you could see the quality of his lines. my illustration is somewhat out of focus, but you can still see that i was wowed by the energy of the colors. there’s a daisy de villenueve thing going on, with lots of attitude and angles.

working class

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right now chicago is 22°F and snow is drifting from gutter to gutter, so this isn’t the kind of outfit you can actually wear outside. as i type to you, i am wearing thick jeans, a bootleg balenciaga sweatshirt, and sorel boots. please allow me to indulge in the fantasy of a sheer blouse, a white pencil skirt, bare legs and ballet flats. thank goodness for shelter and heat — things that we think of as necessities, but would be considered luxuries by many who are living in much less comfortable conditions. some folks heat is shut off, some houses are way draftier than my own, and some homeless folks are living outside.
 
even if everything in this picture is from a thrift store, it is still a luxury item, because i had the time to hunt through the racks, select it, and buy it. none of it was given to me because i am unemployed or disadvantaged, and all of it is still of finer-quality materials and craftmanship. even if i can’t afford things new, i can still afford the internet, my laptop, and an annual subscription to Vogue, so i stay abreast of trends and labels. plus, i have the leisure and liberty to pick out what i wear, even if it’s impractical.
 
i suppose the further irony of this look is that it’s mostly based around workwear concepts. the blouse has a sort of conductor-stripe, and pseudo-functional pockets. the white skirt is denim. the flats have a perforated wingtip pattern, which has its origins in classic menswear, but is most often worn by aspirational types. the necklace is a ball chain strung with humble fowl anklets — the kind that chickens and domestic ducks wear — from my aunt’s farm.

mr. little jeans

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i can’t help it that this dude wears skinnier pants than anyone else. he can dress more creatively, but this was just a drawing exercise. also, sometimes style is about function over glamour.

his sweater is H&M, the denim is THVM, and the boots are Timberlands. the vest might be vintage and the hat is…..five paneled? the silver amulet is antique, and mine.

watercolor by Shua, blind countour-face by me.

 

etoile

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my boss was going through some dusty boxes and found a couple back issues of Punk Planet. this one features Jaime Hernandez of Love and Rockets fame. it is fantastic, and makes me miss Punk Planet so much. he used to lend support to Young Chicago Authors –where i worked– but at the time i didn’t understand how awesome he was. thank goodness Dan Sinker is still doing so much in chicago. (teaching at columbia, his tweets-book satire of rahm emmanuel, maintaining the time portal of infinite chicagos…)

anyway, the outfit is a quasi-plaid blouse from etoile isabel marant. (i say quasi because it’s yellow and black, which is barely plaid, and closer to check, right? it is also my ONLY plaid shirt.) over that, a sheer blue H&M sweater. the vintage jellyfish necklace is a piece my friend Vince found in a junk shop. the trousers are 3.1 Phillip Lim and the kitten heel sandals are Sigerson Morrison. it’s sort of artsy, the three blues with the near-cmpliment of dried mustard and the tonic of white.

someone looking at this photo will notice, first thing, that my toes are sans lacquer, and they will think it looks godawful. if i did toenail polish, lavender might have been nice.

Nick!

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in my spare time, i get to contribute to the fantastic street style blog Chicago Looks. this is Nick, who works at the Museum of Contemporary Art. every time i see him, he looks smashing. it’s just comes naturally to him. the following photo was first published on Isa Giallorenzo’s site — go there to read Nick’s great little interview and see details of his outfit.

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thanks Shua and Isa! i love collaborating with you guys!

girlboss

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one of my best girlfriends found me this great organza blouse at the salvation army. it’s emanuel emanuel ungaro, which is crazy to think. poor ungaro– to think that they once maintained a diffusion label! (actually, i remember about 20 years ago they had a capsule for the la redoute catalog.) i really love the sensuality of ungaro, and i hope they can eventually recapture that.

underneath the blouse, which slightly gossamer, is the barest of little black brassieres. the leggings are tone-on-tone flocked velvet from topshop. the d’orsay ankle-strap heels are charles jourdan. the earrings are carved cellulose, from france. they are big and aggressive, like gauges, but luckily for me, they are clip-on. if i was a girlboss à la sophia amoruso i could probably get away with wearing this outfit to work.