when does Game of Thrones return?

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answer: in about 96 days

emotional answer: not soon enough!

while closing up shop tonight, one of my favorite coworkers asked me when our rather geeky guilty pleasure comes back on air. i answered “some time in march?” and went on to detail the horrible events of the Red Wedding (which of course, he had already seen) and the disappointment of the season finale (platinum-blonde Khaleesi supported on the shoulders of a thousand brown people that she had quasi-pseudo “liberated”).

having not read the books (besides the first, which convinced me that the HBO show is in fact a better production than the books) i do not know what to expect from Season 4, and i’m very curious to see how the show will move on without Catelyn and Robb Stark, and with the other principals wandering ever farther apart. To think that Jon was so close to Bran, just outside the mill, without there being a reconciliation!

the outfit of this post is a medieval costume that got a lot of use while i was interested in SCA (Society for Creative Anachronism) reenactments. it’s a dense cotton velvet in alternating panes of burgundy and midnight, with braided gold trim. it is lined, but does not have a label, which leads me to believe that it was a much-beloved home-sewn costume.

i could not find my old torque, so i accessorized with a vintage brass and pearl medallion. the closest thing i had to appropriate shoes were Marc Jacobs driving mocs, which suggest something of a Saracen influence — i’m alluding to the European presence in the Arab world during the various Crusades. (a lot was improved in european culture based on what they learned about during the crusades, e.g. cotton, paper, chess, coffee, and lemons, spices, medicine, and math.)

the other accessories are my sword, which is a Spanish steel Excalibur replica, and my hooded velvet cape. my grandma Helen made the cape for me when i was 12. i was wild to have one, and i still love capes — the longer the better. (she had been a seamstress for the Russian Army during the second world war.) the fur shoulder piece is a vintage, rabbit, and removable. braids, because that is the one thing that every female character of GoT has in common.

Shua’s illustration is great because if you imagine the background is forest green, stone gray, or frigid white, it could easily be a character sketch for the show.

chambray three way

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levi’s chambray shirt jacked from my dude’s closet. it’s bleached in spots and frayed at the sleeve and hem, but that makes it way better. the denim is super soft and breezy. sometimes i object to the americana aesthetic, but in this case, it’s so natural and easy and individualistic.

i feel like the words “individualistic” and “unique” get thrown around a lot, in relation to US jingoism and the marketing of denim, but somehow the estimation feels authentic. i’ve borrowed (read: stolen) a lot of jeans from boyfriends over the years, and the way they fit is always idiosyncratic to them. threadbare in certain spots, sagging in others, stained from use or paled from washing, the habits are embedded in a garment of such frequent use. carrying a cel phone or a pack of cigarettes in the back pocket will leave a certain imprint. the height of their knee demarcates the place where the bend to sit or kneel. wearing your partner’s clothes is always intimate, but wearing their jeans is a study in their physical poetry.

accordingly, in the third look, i am wearing Levi’s that were handed-down by an ex-bf. woven platform sandals by Lucky Brand and a vintage crocodile belt. very Texan tux.

the second look involves an H&M leather skirt with a sheer under-layer, a spiked Topshop headband, and Alexander Wang’s “Angela” bag. vintage beater boots, natch.

the first look also utilizes H&M — suede cheekies (barely visible beneath the untucked shirt) — and the Angela bag. the d’Orsay flats are by Chinese Laundry, and a TOTAL RIP of the Jenni Kayne style, but i love them.

i feel like extra credit should be given, for doing a different braid in each look.

common to the three styles is my new perfect necklace from By Phillipe. a little inverted crown, in light-weight gold, even though i’ve never appreciated yellow jewelry before. very optimistic and very summer.

Vivienne Westwood AW 2013

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Vivienne Westwood’s latest ready-to-wear collection was full of fusion elements: jackets with leg-o-mutton shoulders, golden lily court shoes, luxe 80s belted wool coats, red Victorian-cum-punk lace-up boots. Joshua Crow was attracted to this runway show thanks to Native American-seeming textures with formal silhouettes. There are kimono sleeves, fluorescent disco mesh dresses, felt fez and derby toppers, and decadent embroideries straight out of illuminated manuscripts.The kabuki-style makeup, with hair that was pulled back into long braids complicated with pastel ribbon added even more drama to the multi-culti looks. Most characteristic of Westwood was the confrontational way she showed how British culture is almost overwhelmed by the ethnic influences of the nations in which they flexed their Imperialist muscle.